Alvin Ailey, Jr., (born Jan. 5, 1931, Rogers, Texas, U.S.—died Dec. 1, 1989, New York, N.Y.), American dancer, choreographer, and director of the Alvin Ailey American Dance Theater.
Having moved with his family to Los Angeles in 1942, Ailey became involved with the Lester Horton Dance Theater there in 1949. Following Horton’s death in 1953, Ailey was director of the company until it disbanded in 1954. He moved to New York City that year. There he performed in various stage productions and studied acting with Stella Adler and dance with Martha Graham, Hanya Holm, Charles Weidman, and others.
In 1958 Ailey formed his own dance company. The Alvin Ailey American Dance Theater, composed primarily of blacks, toured extensively both in the United States and abroad. In addition to works by Ailey, the company performed the works of several pioneer choreographers of modern dance, including Horton, Pearl Primus, and Katherine Dunham. The company’s signature piece is Revelations (1960), a powerful, early work by Ailey that is set to African American spirituals.
Ailey subsequently continued to choreograph works for his own and other modern-dance companies. The Alvin Ailey American Dance Theater, through its highly successful tours on every continent, made him the best-known American choreographer abroad from the 1960s through the ’80s.
"Our world faces many challenges, crises and forces of division — such as poverty, violence, and human rights abuses — among many others — that undermine peace, security, development and social harmony among the world's peoples.
To confront those crises and challenges, their root causes must be addressed by promoting and defending a shared spirit of human solidarity that takes many forms — the simplest of which is friendship.
Through friendship — by accumulating bonds of camaraderie and developing strong ties of trust — we can contribute to the fundamental shifts that are urgently needed to achieve lasting stability, weave a safety net that will protect us all, and generate passion for a better world where all are united for the greater good."
"Each year across Australia, the CBCA brings children and books together celebrating CBCA Book Week. During this time schools, libraries, booksellers, authors, illustrators and children celebrate Australian children's literature and you will often see children's book character parades and talented librarians creating amazing displays."
Our 2018 show From The Page To The Stage, is all about BOOKS! To celebrate Book Week we will be creating a lending library at the studio. 'Take a book, bring one in later!' To get the ball rolling, bring in any books you don't mind parting with and add it to our collection. Our lending library will begin from the start of term 3, 2018.
My first memory of dancing is sitting at the door of my ballet class crying because 'I felt sick'. I remember overhearing my teacher saying to her assistant, 'She never puts it on, she must really feel unwell.' However, instead of being sick, I was worried my mum would forget to pick me up as she had (for the first time) left the studio while I was in class.
Twyla Tharp (born July 1, 1941) is an American dancer, choreographer, and author who lives and works in New York City. In 1966, she formed her own company Twyla Tharp Dance. Her work often uses classical music, jazz, and contemporary pop music.
From 1971 to 1988, Twyla Tharp Dance toured extensively around the world, performing original works. In 1973, Tharp choreographed Deuce Coupe to the music of The Beach Boys for the Joffrey Ballet. Deuce Coupe is considered to be the first crossover ballet. Later she choreographed Push Comes to Shove (1976), which featured Mikhail Baryshnikov and is now thought to be the best example of the crossover ballet.
In 1988, Twyla Tharp Dance merged with American Ballet Theatre, since which time ABT has held the world premieres of 16 of Tharp's works.
On May 24, 2018, she was awarded the Doctor of Arts degree by Harvard University.